Miró's oft-quoted desire while in the assassination of painting is derived from the dislike of bourgeois artwork, which he thought was used as a method to advertise propaganda and cultural identity among the rich. Specially, Miró responded to Cubism in this way, which by the point of his estimate had https://www.triptales.me/discover-the-artistic-and-historical-marvels-of-barcelonas-museums/